{"id":13475,"date":"2021-08-30T21:19:27","date_gmt":"2021-08-30T19:19:27","guid":{"rendered":"https:\/\/www.lvhf.cz\/?page_id=13475"},"modified":"2023-07-14T10:26:45","modified_gmt":"2023-07-14T08:26:45","slug":"program-koncertu-patricia-janeckova-collegium-marianum","status":"publish","type":"page","link":"https:\/\/www.lvhf.cz\/en\/program-koncertu-patricia-janeckova-collegium-marianum\/","title":{"rendered":"Programme Note | Patricia Jane\u010dkov\u00e1 & Collegium Marianum"},"content":{"rendered":"

Downloadable lyrics of the vocal-instrumental compositions<\/a>
\n <\/p>\n

Programme Note<\/h2>\n

 
\nAntonio Vivaldi<\/strong> (1678\u20131741)
\nIn furore iustissmae irae RV 626
\nI. Aria \u201eIn furore iustissimae irae\u201c (V z\u00e1chvatu spravedliv\u00e9ho hn\u011bvu In einem Anfall rechtschaffener Wut) (Allegro)
\nII. Recitative \u201eMiserationum Pater piissime\u201c (Slitov\u00e1n\u00ed nejsv\u011bt\u011bj\u0161\u00edho otce Erbarmen des heiligsten Vaters)
\nIII. Aria \u201eTunc meus fletus\u201c (Potom m\u00e9 slzy Danach meine Tr\u00e4nen) (Largo)
\nIV. Hallelujah
\n
\nSonata a quattro in C major RV 801\/RV Anh. 66
\nI. Largo
\nII. Allegro
\nIII. Largo
\nIV. Allegro
\n
\nAria \u201eEja voce sonora laeti cantate\u201c (A\u0165 hlu\u010dn\u011b p\u00edse\u0148 \u0161\u0165astn\u00e1 zn\u00ed Lasst laut das Lied fr\u00f6hlich klingen) RV Anh 59.29 (contemporary world premiere)
\n
\nConcerto fot Flute in D minor RV 431a \u201eIl Gran Mogol\u201c
\nI. Allegro
\nII. Grave supra il libro come st\u00e0
\nIII. Allegro
\n
\nAntonio Caldara<\/strong> (1670\u20131736)
\nAria from the oratorio Santa Ferma \u201eQuell\u00b4usignuolo tempra il suo duolo\u201c
\n(Ten slav\u00edk zn\u00e1sobuje jeho bolest Die Nachtigall vervielfacht seinen Schmerz)
\n
\nFranti\u0161ek Jir\u00e1nek<\/strong> (1698\u20131778)
\nConcerto in C major for Oboe, Strings and Basso Continuo (arrangement for flauto traverso in D major)
\n(contemporary world premiere)
\nI. Allegro
\nII. Adagio (Cantabile in a solo part)
\nIII. Allegro
\n
\nAntonio Vivaldi<\/strong>
\nSalve Regina in F major RV 617
\nI. Salve Regina
\nII. Ad te clamamus (Allegro)
\nIII. Eia ergo (Allegro)
\nIV. Et Jesum benedictum (Andante)
\n
\n\u2013 Without Interval \u2013
\n 
\nCollegium Marianum<\/strong>
\nJana Semer\u00e1dov\u00e1<\/strong>, Flauto Traverso & Artistic Leader
\nLenka Torgersen<\/strong>, 1st Violin
\nEleonora Machov\u00e1<\/strong>, 2nd Violin
\nAndreas Torgersen<\/strong>, Viola
\nPhilipp Comploi<\/strong>, Violoncello
\nJan Krej\u010da<\/strong>, Theorbo
\nJ\u00e1n Prievozn\u00edk<\/strong>, Double-bass
\nFilip Hrub\u00fd<\/strong>, Harpsichord & Positive Organ
\n
\nPatricia Jane\u010dkov\u00e1<\/strong>, Soprano
\n <\/p>\n

Patricia Jane\u010dkov\u00e1<\/h2>\n

 
\nShe performed with the orchestra for the first time at the age of ten and made her solo debut on theatres in thirteen in 2011 in Britten\u2019s The Little Sweep<\/em> (Annie). This German-born Slovak soprano, currently living in Ostrava, got labelled as prodigy while entering the public consciousness in 2010 after an absolute victory in the Czech-Slovak television competition Talentmania<\/em>. After all, many still remember her performance of the main melody from Ennio Morricone\u2019s score for Once Upon a Time in the West<\/em>. Since then, under the mentorship of Eva D\u0159\u00edzgov\u00e1-Jiru\u0161ov\u00e1, she has grown into a singer who has given concerts in Austria, Germany, Portugal, France and at a number of international music festivals in the Czech Republic and collaborated with personalities such as Adam Plachetka or Peter Dvorsk\u00fd. In 2015, she made her debut in Mozart roles at the State Theater Ko\u0161ice and at the Slovak National Theater in Bratislava. She performs with the Jan\u00e1\u010dek Philharmonic Ostrava, The Prague Symphony Orchestra FOK, Camerata Jan\u00e1\u010dek and National Moravian-Silesian Theatre in Ostrava, with which she has been artistically bounded for a long time. She first performed with Collegium Marianum in 2017, when she performed at Handel\u2019s opera Acis et Galatea. The fact that the interpretation of early music really suits her voice proves the fact that she is the absolute winner of the Concorso Internazionale \u201cMusica Sacra\u201d International singing competition in Rome from 2016. Because of that, she was able to attend the master class by Teatro alla Scala soloist Renato Bruson. Currently, she studies at the Department of Vocal Studies of the University of Ostrava under the mentorship of Eva D\u0159\u00edzgov\u00e1-Jiru\u0161ov\u00e1.
\n <\/p>\n

Jana Semer\u00e1dov\u00e1<\/h2>\n

 
\nThe artistic life of Jana Semer\u00e1dov\u00e1 is primarily connected with the ensemble Collegium Marianum, behind whose unusual programming lie Semer\u00e1dov\u00e1\u2019s research activities in the field of baroque gestures, declamation and contemporary dance. However, she also collaborates with the other top European old music ensembles, such as Akademie f\u00fcr Alte Musik Berlin, Il Giardino Armonico or Il suonar parlante. She is also a sought-after chamber musician, performing in the projects of Magdalena Ko\u017een\u00e1, Sergio Azzolini, Alfred Bernardini and many other representatives of the so-called \u201cearly music\u201d. She is a graduate of the Prague Conservatory, the Faculty of Philosophy, Charles University (Theory and Practice of Early Music), and the Royal Conservatory in the Hague, the Netherlands, and she received her habilitation degree as an associate professor of flute from the Faculty of Music and Dance at the Academy of Performing Arts in Prague. Jej\u00ed s\u00f3lov\u00e9 nahr\u00e1vky najdeme rovn\u011b\u017e na labelu Supraphon. She is a programming director of the concert cycle Baroque Soir\u00e9es and the international music festival Summer Festivities of Early Music, as well as the member of the Art Council of the Prague Spring International Music Festival.
\n <\/p>\n

Collegium Marianum<\/h2>\n

 
\nCollegium Marianum with its artistic director Jana Semer\u00e1dov\u00e1 is one of the pioneers of the early music performing in our country and one of the most important promoters of Czech music of the 17th and 18th centuries, for which it was awarded with the International Music Council by UNESCO in 2010. The ensemble focuses not only on the concert works, but also on the stage works. This is the reason why the ensemble is behind many great projects in collaboration with top European soloists, directors, conductors and choreographers (Andrew Parrott, Simona Houda-\u0160aturov\u00e1, Peter Kooij and others). An example of the ensemble\u2019s originality is the collaboration with the theatre ensemble Buchty a loutky, with which he performed the puppet opera Calisto<\/em> and the charming production of Handel\u2019s pastoral opera Acis et Galatea<\/em>. Collegium Marianum regularly performs at prestigious European music festivals: Oude Muziek (Utrecht), Tage Alter Musik (Regensburg), Bachfest (Leipzig), Festival de Sabl\u00e9 (France), Pra\u017esk\u00e9 jaro (The Prague Spring, Czech Republic) and others. Since 2008, the ensemble collaborates with the Supraphon label, with which it has recorded eight compact discs so far with the music by Franti\u0161ek Jir\u00e1nek, Jan Dismas Zelenka, Josef Anton\u00edn Sehling and other Czech authors as a part of the edition Hudba Prahy 18. stolet\u00ed<\/em> (\u201cThe Music of the Prague of the 18th Century\u201d).
\n <\/p>\n

\n
\n
\n

Principal Concert Partner<\/h4>\n

\n

Concert Partner<\/h4>\n

\n

In cooperation<\/h4>\n

\n

Winery of the Concert<\/h4>\n

\n

<\/h4>\n

 
\n<\/p><\/div>","protected":false},"excerpt":{"rendered":"

Downloadable lyrics of the vocal-instrumental compositions   Programme Note   Antonio Vivaldi (1678\u20131741) In furore iustissmae irae RV 626 I. Aria \u201eIn furore iustissimae irae\u201c (V z\u00e1chvatu spravedliv\u00e9ho hn\u011bvu In einem Anfall rechtschaffener Wut) (Allegro) II. Recitative \u201eMiserationum Pater piissime\u201c (Slitov\u00e1n\u00ed nejsv\u011bt\u011bj\u0161\u00edho otce Erbarmen des heiligsten Vaters) III. Aria \u201eTunc meus fletus\u201c (Potom m\u00e9 slzy [...]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":121,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/www.lvhf.cz\/en\/wp-json\/wp\/v2\/pages\/13475"}],"collection":[{"href":"https:\/\/www.lvhf.cz\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lvhf.cz\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lvhf.cz\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lvhf.cz\/en\/wp-json\/wp\/v2\/comments?post=13475"}],"version-history":[{"count":12,"href":"https:\/\/www.lvhf.cz\/en\/wp-json\/wp\/v2\/pages\/13475\/revisions"}],"predecessor-version":[{"id":13951,"href":"https:\/\/www.lvhf.cz\/en\/wp-json\/wp\/v2\/pages\/13475\/revisions\/13951"}],"wp:attachment":[{"href":"https:\/\/www.lvhf.cz\/en\/wp-json\/wp\/v2\/media?parent=13475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}