{"id":13473,"date":"2021-08-30T21:18:36","date_gmt":"2021-08-30T19:18:36","guid":{"rendered":"https:\/\/www.lvhf.cz\/?page_id=13473"},"modified":"2023-07-14T10:26:45","modified_gmt":"2023-07-14T08:26:45","slug":"program-koncertu-delphine-galou-accademia-bizantina","status":"publish","type":"page","link":"https:\/\/www.lvhf.cz\/en\/program-koncertu-delphine-galou-accademia-bizantina\/","title":{"rendered":"Programme Note | Delphine Galou & Accademia Bizantina"},"content":{"rendered":"

Downloadable lyrics of the vocal-instrumental compositions<\/a>
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Programme Note<\/h2>\n

 
\nAntonio Vivaldi<\/strong> (1678\u20131741)
\nConcerto for Strings in G minor RV 152
\nI. Allegro molto
\nII. Andante molto e sempre pianissimo
\nIII. Allegro molto
\n
\nFiliae maestae Jerusalem RV 638 (Introduction to Miserere)
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\nConcerto for Viola d\u2018amore in D minor RV 394
\nI. Allegro
\nII. Largo
\nIII. Allegro
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\nJuditha triumphans RV 644
\nTwo arias of Holofernes
\n“Nil arma, nil bella” (Nen\u00ed zbran\u00ed, nen\u00ed bitvy Keine Waffen keine Schlachten)
\n“Agitata infido flatu” (Zm\u00edtan\u00e1 zr\u00e1dn\u00fdm v\u011btrem Zerrissen von tr\u00fcgerischem Wind)
\n
\nConcerto for Strings in B flat major RV 167
\nI. Allegro
\nII. Andante
\nIII. Allegro
\n
\nConcerto for Violin in E minor RV 279, Op. 4 No. 2 from “La Stravaganza”
\nI. Allegro
\nII. Largo
\nIII. Allegro
\n
\nStabat Mater RV 621
\nI. Stabat Mater dolorosa. Largo
\nII. Cujus animam gementem. Adagio
\nIII. O quam tristis. Andante
\nIV. Quis est homo. Largo
\nV. Quis non posset. Adagissimo
\nVI. Pro peccatis suae gentis
\nVII. Eja mater, fons amoris
\nVIII. Fac ut ardeat. Lento
\nIX. Amen
\n
\n\u2013 Without Interval \u2013
\n 
\nAccademia Bizantina<\/strong>
\nAlessandro Tampieri<\/strong>, Conductor, Baroque Violin & Viola d\u2019amore
\nMaria Grokhotova<\/strong> & Lisa Ferguson<\/strong>, 1st Violin
\nAna Liz Ojeda<\/strong>, Mauro Massa<\/strong> & Heriberto Delgado<\/strong>, 2nd Violin
\nMarco Massera<\/strong> & Alice Bisanti<\/strong>, Viola
\nAlessandro Palemeri<\/strong> & Paolo Ballanti<\/strong>, Violoncello
\nNicola Dal Maso<\/strong>, Double-bass
\nTiziano Bagnati<\/strong>, Lute
\nValeria Montanari<\/strong>, Harpsichord
\n
\nDelphine Galou<\/strong>, Contralto
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Delphine Galou<\/h2>\n

 
\nThe native Parisian Delphine Galou, the \u201cDiscovery of the Year 2004\u201d by the French association ADAMI, started her career in Jeunes Voix du Rhin (The Young Voices of the Rhine). The fortunate decision to specialize in the interpretation of early music brought this French contralto with a distinctive voice to the ensembles such as Venice Baroque Orchestra (Andrea Marcon), Les Arts Florissants (Jonathan Cohen), Le Concert des Nations (Jordi Savall), Ensemble Matheus (Jean-Christophe Spinosi ), Les Musiciens du Louvre (Marc Minkowski), Collegium 1704 (V\u00e1clav Luks) or Les Talents Lyriques (Christophe Rousset). Her career is flourished by the performances at Royal Opera in London, Th\u00e9\u00e2tre des Champs-Elys\u00e9es in Paris, Berlin State Opera, Theater an der Wien and Lincoln Center in New York. Delphine Galou\u2019s repertoire includes many works by Antonio Vivaldi \u2013 besides the oratorio Juditha triumphans<\/em> the operas Orlando furioso<\/em>, L\u2019incoronazione di Dario<\/em>, Teuzzone<\/em> (recording with Jordi Savall for the Na\u00efve) or Orlando 1714<\/em> (recording with Federico Maria Sardelli for the Na\u00efve as well). Her voice also appears on the prestigious Deutsche Grammophon label. Delphine Galou\u2019s collaboration with the Accademia Bizantina is very rich and successful. In 2018, together they won the Gramophone Award in the “Recital” category for the album Agitata<\/em>.
\n <\/p>\n

Alessandro Tampieri<\/h2>\n

 
\nThe concert master of Accademia Bizantina Alessandro Tampieri says: \u201cI have never been carried away by the technical possibilities of instruments, their virtuosity, even in the case of the violin. I love music in its purest form.\u201d He became a member of the orchestra at the age of fifteen and gradually matured into a top artist under the direction of Ottavio Dantone. \u201cHe is a musician with the clearest musical vision I have ever met. Authentic character,\u201d Tampieri says about Dantone. Tampieri\u2019s interest in early music interpretation led him to collaborate with other top Baroque ensembles and soloists, such as Il Giardino Armonico, L\u2019Arpeggiata, Enrico Onofri, Philippe Jaroussky and Vittorio Ghielmi. He also studies viola and viola d\u2019amore. His recording of Vivaldi\u2019s viola d\u2019amore concertos and \u201cPer il Castello\u201d violin concertos with Accademia Bizantina adorns the Vivaldi Edition<\/em> collection by Na\u00efve. Alessandro Tampieri is a professor at Gioacchino Rossini Conservatory in Pesaro.
\n <\/p>\n

Accademia Bizantina<\/h2>\n

 
\nThe French Diapason d\u2019Or, British Gramophone Award, Prix Classica and nominations for the Grammy Music Award are just fundaments of the international successes of the Italian ensemble Accademia Bizantina. The ensemble was founded in 1983 in Ravenna with the aim to interpret the music for string orchestra in a chamber manner. This philosophy, combined with the deep study and artistic commitment of the all ensemble members, made Accademia Bizantina one of the most remarkable chamber orchestras playing at historical instruments and specialized in 17th to 19th century music. Its performances bear the features of the most glamorous Italian musical tradition. Since 1996, he has been artistically growing under the direction of harpsichordist and conductor Ottavio Dantone, who led Accademia Bizantina among the most prestigious baroque ensembles in the world setting trends and behind the rediscovery of many forgotten gems, especially in the field of baroque opera and oratorio. Accademia Bizantina records for Decca, Harmonia Mundi and Na\u00efve. This year the ensemble was nominated for the Gramophone Classical Music Awards in the “Orchestra of the Year” category.
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Principal Concert Partner<\/h4>\n

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Concert Partner<\/h4>\n

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Supported by<\/h4>\n

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In cooperation<\/h4>\n

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Winery of the Concert<\/h4>\n

 <\/p>\n<\/div>\n<\/div>\n<\/div>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Downloadable lyrics of the vocal-instrumental compositions   Programme Note   Antonio Vivaldi (1678\u20131741) Concerto for Strings in G minor RV 152 I. Allegro molto II. Andante molto e sempre pianissimo III. Allegro molto Filiae maestae Jerusalem RV 638 (Introduction to Miserere) Concerto for Viola d\u2018amore in D minor RV 394 I. Allegro II. Largo III. [...]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":117,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/www.lvhf.cz\/en\/wp-json\/wp\/v2\/pages\/13473"}],"collection":[{"href":"https:\/\/www.lvhf.cz\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lvhf.cz\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lvhf.cz\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lvhf.cz\/en\/wp-json\/wp\/v2\/comments?post=13473"}],"version-history":[{"count":15,"href":"https:\/\/www.lvhf.cz\/en\/wp-json\/wp\/v2\/pages\/13473\/revisions"}],"predecessor-version":[{"id":13877,"href":"https:\/\/www.lvhf.cz\/en\/wp-json\/wp\/v2\/pages\/13473\/revisions\/13877"}],"wp:attachment":[{"href":"https:\/\/www.lvhf.cz\/en\/wp-json\/wp\/v2\/media?parent=13473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}