\nAntonio Vivaldi<\/strong> (1678\u20131741)
\nConcerto for Strings in C major RV 114
\nI. Allegro
\nII. Adagio
\nIII. Ciaccona
\n
\nConcerto for Two Violins in G minor RV 517 (arrangement for violin and harpsichord)
\nI. Allegro
\nII. Andante
\nIII. Allegro
\n
\nConcerto for Violincello in A minor RV 421
\nI. Allegro non troppo
\nII. (Largo)
\nIII. Allegro
\n
\nConcerto for Violin in A major RV 344
\nI. Allegro
\nII. Largo
\nIII. Allegro
\n
\nConcerto for Strings in D minor RV 128
\nI. Allegro non molto
\nII. Largo
\nIII. Allegro
\n
\nConcerto for Violin in E minor RV 278
\nI. Allegro molto. Andantino
\nII. Largo
\nIII. Allegro
\n
\nConcerto for Violin and Violoncello in F major RV 544 \u201eIl Proteo o sia il mondo al rovescio\u201c (Proteus, or the world upside-down)
\nI. Allegro
\nII. Largo
\nIII. Allegro
\n
\n\u2013 Without Interval \u2013
\n
\nGli Incogniti<\/strong>
\nAmandine Beyer<\/strong>, Baroque Violin & Artistic Leader
\nHelena Zemanov\u00e1<\/strong> & Vadym Makarenko<\/strong>, Violin
\nMarta P\u00e1ramo<\/strong>, Viola
\nMarco Ceccato<\/strong>, Violoncello
\nFrancesco Romano<\/strong>, Theorbo
\nBaldomero Barciela<\/strong>, Violon
\nAnna Fontana<\/strong>, Harpsichord
\n <\/p>\n
Amandine Beyer<\/h2>\n
\nAmandine Beyer has been an unmissable figure and a performance role model in the field of baroque music for many years. Her recording of Sonatas<\/em> and Partitas<\/em> by Johann Sebastian Bach from 2012 has won many international awards \u2013 Diapason d\u2019Or, Editor\u2019s Choice of Gramophone magazine, Choc de Classica de l\u2019ann\u00e9e, Prix Acad\u00e9mie Charles Cross and others. She divides her time between several diverse ensembles: duo with Pierre Hantai, Les Cornets Noirs, specializing in Italian and German music of the 16th and 17th centuries, Kitgut Quartet, string quartet playing the early musical instruments, and Gli Incogniti, which she founded in 2006 and with which she also has been given the largest number of awards. Additionally, another passion of hers is teaching. Since 2010, she has been working at Schola Cantorum Basiliensis in Switzerland and Escola Superior de M\u00fasica e Artes do Espect\u00e1culo (ESMAE) in Porto. Furthermore, she is leading the master classes around the world regularly (France, Taiwan, Brazil, Italy, Spain, USA, Canada).
\n <\/p>\nGli Incogniti<\/h2>\n
\nThe French ensemble Gli Incogniti was founded in 2006 by the violinist Amandine Beyer, who did so together with her friends. She was inspired by the artistic group Accademia degli incogniti<\/em> (“Academy of the Unknown\u201d), which operated in Venice in the 17th century. The things Gli Incogniti derived from the Venetian ensemble is not only its name, but also a liberal way of thinking, which is reflected in the fondness for all the unknown, sound experiments, the search for a new repertoire and the rediscovery of \u201cclassics\u201d. Such projects include, for example, The Six Brandenburg Concertos<\/em> in collaboration with the dance group Rosas and the B\u2019rock Orchestra, which have celebrated success in Berlin, New York, Paris, Lisbon and Hong Kong. The top quality of the ensemble is supported by concerts at the Th\u00e9\u00e2tre des Champs-Elys\u00e9es in Paris, Wigmore Hall in London, Oji Hall in Tokyo or at international festivals in Boston, Bergen, Monte-Carlo, Montpellier and Ile-de-France. The ensemble has recorded fifteen CDs which have won many prestigious prizes: Gramophone Prize, BBC Musical Choice, Diapason d\u2019Or, Preis der deutschen Schallpattenkritik and many others. The recordings of the compositions by Antonio Vivaldi \u2013 Le Quattro Stagioni<\/em> for Zig-Zag Territoires and Il Teatro alla moda<\/em> for Harmonia Mundi \u2013 are the most successful. For Gramophone, Lindsay Kemp has aptly defined the artistic attitudes of the ensemble: \u201cEvery song on this recording is a drama full of characters that come, lead monologues, enter into conversations.\u201d Since 2017, Gli Incogniti\u2019s activities include the Academy<\/em> programme for young people interested in the early music performance and a recent novelty of the sympathetic membership in the ARVIVA association, whose members strive for the most gentle approach to our planet as part of their concert activities. Gli Incogniti is supported by DRAC Nouvelle-Aquitaine and Nouvelle-Aquitaine region.
\n <\/p>\nConcert Partner<\/h4>\n
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